Audix adapts OMX for different stages

Engineered to offer a handheld microphone for each of the three common stage scenarios, Audix has launched its OMX series. It comprises the OMX-E, for singers who move around more during a performance; the OMX-T, for vocalists on busy stages and the OMX-M for vocalists with close mic technique.

The three zinc alloy handhelds are distinguished by a colour-coded ring just below each mic’s capsule. Displaying a hypercardioid pattern, the latest generation of Audix’s dynamic microphones integrate very low mass capsule technology and a flat-top grille to guide towards correct positioning and technique.

Engineered to keep the singer’s mic free of unwanted bleed and feedback, the OMX-T isolates all the vocals while maximising rejection of other nearby signals. Aiming to retain detail without adding bass boost or losing clarity, the OMX-T adapts to concert level stages and distinguishes itself from the other models by a silver-coloured ring.

Created for singers with varied mic technique, the OMX-E is engineered to capture consistent detail and frequency response throughout an expanded range of distances relative to the performer. Ideal for varied performance styles, a green band circles the mic as an OMX-E.

Featuring a bronze-coloured ring, the all-rounder OMX-M blends a medium-tight capture zone with a subtle mid-high presence. Suitable for various musical genres, the low end is slightly attenuated to reduce boominess and its mid-tight control resists unwanted noise.